Last Summer Would Have Been Less Complicated If Only We Did Not Drink So Much

collage monoprint includes serigraphy, solvent transfer, digital print, gouache, charcoal, acrylic

24 x 48

A Pillowcase Full of Anticipation

cut and embossed digital monoprint

30 x 22

Duo Duo

diptych of digital prints (found photo & self portrait)

33 x 23 each

You Know What They Say

diptych consists of gum bichromate prints with flocked serigraphy, on gold studded silk paper

23 x 18 each

Our Isolated Entanglements

collaborative installation with Shannon Wilson for site-specific, outdoor exhibition on Belle Isle with the Access Arts group
digital prints on mylar displayed with crocheted forms and yarn
4 prints measure 60 x 24 each

The Unused Wedding China

The Unused Wedding China, lithograph with screenprint, trade print for the Salt City Dozen, 15x22

Birthday Girl

Hand-colored Lithograph, trade print with OSU printmakers, 6x8

A Force To Be Reckoned With, Indeed.

Relief Print, 25 x 37

Yes. No. Maybe. Probably Not.

Lithograph on beet-stained rag paper, Woodcut on coffee-stained pulp paper, 22 x 15

Dinner for Two, Eaten by One

Photograph taken with Motorola cellular telephone, digitally printed on handmade Thai paper, 25 x 37

Sometimes I miss the house on Avery, especially the green dining room.

Bad Breakup (you can’t kill him but you can eat his car)

Series of six lithographs with watercolor, antique table with place setting, motor oil, painted BEHR automotive parts

Exhibition at BEHR American HQ in Rochester Hills, MI through May 8

Sometimes good girls go bad. Sometimes bad men get what they have coming. Through my mixed-media artwork, I explore the powers of unbridled emotion, and the romantic transgressions of human relationships. Working with the BEHR automotive parts gave me the opportunity to play out an age-old drama of heartbroken vengeance. The story is nothing new. A woman’s despair and frustration turns to destructive rage. A man’s visceral connection to his vehicle makes his car the perfect prey. Staging the devastation in a composed, dreamlike scene full of structure and poise, brings a sense of dignity and restraint to the kill.

Deeelish

Relief and screen print on rag paper, flocked with nylon fibers and glitter
7 x 5
2008

Confessions to Saint Valentine

Series of 9 Valentines. Collage prints including full-color solvent transfer, screen print, chine colle, hand stitching, flocking and glitter on various rag and Japanese papers. Each card has a different message on the backside. These 3 cards read:
"Oye Valentino, mi culo es tuyo"
"Hey Valentine, This is gonna hurt me much more than you"
"Hey Valentine, Quit changing your phone number already!"
sizes range from 5 x 5 to 9 x 7
2007

Frankie Says Relax

Collage monoprint including hand-colored lithograph on Japanese paper, screen print on Rives BFK, and drawing, flocked with nylon fibers and glitter
2008

Ma's Bananas

Lithograph with watercolor and screen print

Birthday Boy

Lithograph with watercolor
2008

Patience

Collage print including lithograph with watercolor and screen print on rag paper, and screen print on 27 pieces of unknown Japanese paper
2008

Anticipation

Lithograph with watercolor
2008

Self Portrait No. 19 (Let's Go To Bed)

Collage monoprint including relief on Japanese paper, screen print on vintage bed linens machine-sewn to handmade paper interwoven with human hair

Roman's Baby (roman polanski, siedzą na mój twarz)

Lithograph with screen print on Thai silk paper
2008

The Party's Over

Multi-Artist Collaboration made for the Exquisite Corpse show at the Russell Industrial Complex
Top - Matthew Edward Scarlett - acrylic on board
Center - Rebecca Vogel - spray paint, expanding foam, photo lithograph on board
Bottom - Clare Fox - photo lithograph, charcoal drawing, spray paint, Halloween candy wrappers, cigarette butts, glitter on board
72 x 36
2007

Self Portrait No. 31 (Faux Vampirism)

Made for the Fake Blood show at the UFO Factory
Intaglio print on rag paper, lithograph on vintage bed linen sealed in gum arabic, acrylic, pigmented dental wax, and painted plastic vampire teeth, mounted in wooden boxes
10 x 30 x 4
2007

The Virgin in Bed, 6 Beds, 6 Times

Screen print on vintage bed linen, mounted in wooden altar with plastic virgins, pigmented dental wax, and hair
7 x 28 x 4
2007

Detail of "The Virgin in Bed, 6 Beds, 6 Times"

Detail of "The Virgin in Bed, 6 Beds, 6 Times"

5 prints from the "Boyfriends" series

Xerox transfer prints displayed in pink plastic frames
Dimensions vary
36 prints in series
2006 - 2007

Stop Talking

1 postcard from the Male Art series
Lithograph with silkscreen on BFK Heavyweight paper, stamped & mailed to various males
open edition
4 x 6
2007

Surprise! I love you.

1 Postcard from the Male Art series
Lithograph with silkscreen on BFK Heavyweight paper, stamped & mailed to various males
open edition
4 x 6
2007

Interiors

Series of 22 postcards sent to the current residents of my previous homes. Full-color solvent transfers of interior snap shots taken from 1977 through 2004, prints were collaged and hand stitched to recycled cardboard, salvaged from moving boxes,
each card measures aprox. 4 x 6
2007

Less Than

Woven raw silk fibers, shibori dyed.
13 x 46
2006

Family Album

wood & wax
10 x 28 x 6
2006

If I Am Going To Contract Any Infections, He'd Better Have An Accent

Wood cut relief print of studio model, press-printed on Kitikata
36 x 26
2007

Self Portrait No. 33 (Knowing or Disbelieving)

relief print, hand-printed on Mulberry
39 x 27
2007

Self Portrait No. 15 (La La Land)

Relief print on Japanese paper
47 x 27
2007

Estelle, my maternal grandmother

Multiple solvent transfers on Kitikata, stitched together with inherited thread
13 x 13"
2006

Gertrude, my paternal grandmother

Multiple solvent transfers on Kitikata, stitched together with inherited thread
13 x 13"
2006

House

Lithograph from stone, printed on Rives BFK
18 x 24
2005